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Paul Weller's album Wake Up The Nation Fashion New Young Pony Club's Fantastic Playroom (2007) The Horrors’ single artwork for Gloves (2007) He has, to name but a few, shot for XL Recordings, Sony, Island Records and Acid Jazz providing pictures for the following:ĭizzee Rascal's Mercury Prize winning album Boy in da Corner (2003) He has shot amongst many others, Ian Brown, Pete Doherty, The White Stripes, Oasis, Arctic Monkeys, Kings of Leon, Amy Winehouse, Hollywood actress and singer Scarlett Johansson, American rapper and entrepreneur Jay-Z, and Simon Cowell, British entrepreneur, music executive, television producer and celebrity In 2013, Dean is still top of his game, regularly producing epic covers for the NME including Beady Eye, Daft Punk, The Vaccines, The NME Awards 2013 and Foals.Īs well as shooting within the music genre for magazines such the NME and Uncut, Dean also undertakes commissions from record companies, shooting artist's and band's album's and single's artwork along with their press photography. This has proved a successful working partnership with Dean winning the Portrait Photographer of the Year at the 2006 Picture Editors' Awards after having submitted his portrait of Oasis singer songwriter Noel Gallagher, a shoot commissioned by the NME. Having been introduced to the magazine by current NME Photography Director Marian Paterson, he continues to shoot covers and features for the magazine today. Music ĭean started shooting for the New Musical Express magazine in 2001, with The Verve's Richard Ashcroft his first subject. In July 2012, Dean signed to the photographic agency, Skinny Dip. Dean says of the departure, "…the editorial side that I liked, and the fuel that I needed, was being overwhelmed by jobs that were a little too broad." Īfter spending a year without an agent, Dean met photographer Paul Rider who introduced him to his wife Adele Rider, agent and now director of the photographer's agency Shoot. Ĭhalkley's film Strip was accepted into and screened at several short film festivals around the world, and won the Kinofilm 2000 Best Experimental Short Film award at the International Short Film Festival in Manchester.Īfter growing less satisfied with the advertising work, he and his (then) agent Yogi decided to part ways. These areas of study have produced both photographic bodies of work as well as Moving image pieces. ĭean's work has worked in various fields including editorial and commercial advertising however he has always kept up with his own projects where he has explored his own areas of interest such as Music, Fashion and Art. Ĭhalkley also became a regular contributor to Mixmag, shooting the covers and inside features, travelling to Iceland with dance duo Propellerheads for example, and spending lengths of time covering club-season Ibiza. With his first spotlight feature on his photography in issue 13 which was followed by Chalkley's coverage of bands such as Solar Race in issue 17, Darren Almond in 1997, Angus Farhurst and many more YBA for Issue 34 and beyond including Sam Taylor Wood, Mat Collshaw, Douglas Gordon, Cerith Wyn Evan, Gillian Wearing.
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This was when it was still based in Brewer Street and under the founding editors Jefferson Hack and Rankin, as well as Art Director Mark Saunders. It was during Chalkley's Degree that he first starting shooting for Dazed & Confused, the first assignment being to shoot Helen Chadwick. On completing his degree course he moved to London and assisted two notable photographers, Malcolm Venville and afterwards Seamus Ryan, whom he assisted full-time for a period of about 1 and a half years. This in turn led to a photography degree at Blackpool and The Fylde College. He trained for and became a bespoke trouser maker for a couple of years but on realising the debt involved in setting up shop, he decided to become a civil servant and remained working as one for seven years.ĭuring this time, the Civil Service sent him on an A-Level course in photography, since it was applicable to his work there.
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Towards the late 1980s, acid house coincided with his discovery of photography, although initially after leaving school his interest had been in Fashion, especially the type influenced by music. He describes himself as having been ".a hardened mod, totally into scooters, dressing flamboyantly, in cravats and so on."
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It was the 1980s, the time of the mod revival. At the age of seven the family moved to Southend-on-Sea where he eventually attended Fairfax High School for boys, in Westcliff-on-Sea. Dean Chakley's first years were spent on a farm in Essex where his parents were labourers.